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Photos by U.S. soldiers featured in "Exit Wounds". Credit:Jim Lommasson

PORTLAND, Oregon – Artist Jim Lommasson hates war. His exhibit of 1,500 photographs, taken by soldiers who served in Iraq, brings the war home to the United States, in a way he hopes will help bring it to an end.

“It’s all about the soldier’s lives upon their return home,” Lommasson, a soft-spoken man with kind, yet piercing eyes, told IPS at a reception for his powerful exhibit in mid-October. “I want people to listen to the soldiers. I want them to support the veterans, and hear what they have to say about Iraq, and what they’ve done to civilians.”

The photographs, handpicked from thousands brought home on laptops by soldiers who served in the occupation of Iraq, are grouped together on two walls. Collages of photos surround larger photos of the soldier who took them, along with quotes from interviews Lommasson conducted with them over the last year.

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Iraqi civilians lie dying after US helicopters open fire on crowds celebrating around a burning US vehicle. Baghdad Iraq 2004. (Photo: Ghaith Abdul-Ahad)

Long before I discovered the mysterious mix of pain and relief that writing from the heart brings, I was pursuing a Masters in English Literature at Central Washington University in the small town of Ellensburg, Washington.

I was broke, like most grad students, and supported myself by working for two individuals confined to assisted living situations. One of them, Larry, was completely paralyzed. He was unable to speak, and could only blink his eyes. He had been in prison when the ill effects of an operation he undertook there had gone wrong, and were then compounded by an error by the anesthesiologist. His sustenance came from gulping small spoonfuls of food blended with milk. Never in his life would he ever again “enjoy” a meal. He would never be experiencing the simple actions of walking, singing, dancing, swimming, driving, fishing, wandering …

He may have been unable to speak, but Larry had a lot to say. He communicated by blinking his eyes. I would sit beside his prone body on the gurney and slowly recite the alphabet until he blinked on a letter. “C?” I would ask. Another blink. C. Recite again,”A?” Another blink. A. Recite to N, another blink. I would ask, “Can?” Another blink, “Yes.” “Can” would eventually become, “Can I have a drink?” I would get him some juice, or water, depending on what he would spell next.

It was laborious to communicate with him and it took patience and stamina. He lacked neither, for he had a book to write. We would spend three hours to produce half a page of text.

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PORTLAND, Oregon — Veterans from the U.S. occupation of Iraq and Afghanistan, along with Iraqis, Afghanis, Vietnam veterans, and family members of U.S. military personnel converged in this west coast city over the weekend to share stories of atrocities being committed daily in Iraq, in a continuation of the “Winter Soldier” hearings held in Silver Spring, Maryland in March.

At the Unitarian Church downtown, some 300 people gathered to hear the testimonies, which left many in tears. The five-hour event was comprised of three panels; Voices of Veterans from Iraq and Afghanistan, The Human Costs of War, and Building Resistance to War.

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BAGHDAD — Not even the elevators work now at Baghdad Medical City, built once as the centre for some of the best medical care.

One of the ten elevators still does, and the priority for this is patients who have lost their legs — and there are many of them. The rest, the doctors, patients and students at the four specialised teaching hospitals within the building complex, just take the stairs, sometimes to the 18th floor.

This is in a city that had been given dreams of great development five years back, around the time of the U.S.-led invasion. And much of the corporate-led media in the U.S. and Europe still insists that the situation in Baghdad has “improved”.

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MARFA, Texas — By using the written word and art, veterans of the U.S. occupation of Iraq are transforming their trauma into a message of both healing and resistance to the failed U.S. adventure.

“If I say nothing, I have failed,” writes veteran Drew Cameron, “If I do nothing, I am guilty. If I live by these ideals of democracy I can see that war is failure.”

Cameron began writing about his experiences in Iraq after he turned against the occupation when he had several personal realisations.

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